Frankie Tease Blog

The Sunday portion of Viva Las Vegas commenced with those who could still walk and operate all of their bodily functions. Miles of walking, drinks, mingling with old friends, seeing more shows than you could in a month, were taking their toll on members attending VLV16 by Sunday. But the coveted dance contest hadn't yet taken place, the Satin Dollz weekend closing show, nor had I taken pictures of the VIP cars which had the coveted spots as you enter the Orleans Hotel. Here it all is. Not all really, just a sampling by photo and video. Full reviews of VLV16 are forthcoming on this website and our ebook series. Check out the other two books with Viva interviews and reviews at  http://www.frankietease.com/p/ebooks.html   , ebooks that is.  The classic car VIP section had many styles of oldies represented.  The last show in the Orleans Showroom to take place had a great attendence, and after seeing the show, I now know why. It was the surprise of the weekend for me.

I n 2012, Si Cranstoun came to Las Vegas and played the Viva Las Vegas Rockabilly Weekender as his first ever U.S. gig. (It was love at first tune for both fans and band, and he's billed again for 2013). That's when I saw the wild audience response to the man and his band.  Is it possible to experience instant nostalgia for that which you have never heard?  Such was the case for me with Si Cranstoun (UK). His live show is like a recording of Doo Wop or Swing Music by Jackie Wilson, Nat King Cole, or at times the power vocals of Sammy Davis Jr.  Si Cranstoun  has just released his new album "Dance Halls & Supper Clubs, Limited Edition" (2012 Galley Music) featuring ten songs and two bonus tracks. What's fascinating about it is that Si is the Composer, Vocalist, and Producer [Engineered by Jon Radford and Si Cranstoun, Mastered by Guy Davie of Electric Mastering], and with all that autonomy, it still sounds amazing. His fifth album effort includ